ÚnzË ½Ñ2]ƎœQŒsÿ-IëŠ'ß˱"àðÔÚ¦VíæE¯ƒÇ^1J«> ŒÌý Ø@¥µ¤’S54ǝùƒT cT'RúÆ;¹j«ssªI5ÌFêzW-°“‰ì½SkÏS’Bc›ôŒÑʐš6j´jǓƅK6êß'¨El=Õr  p:œ„aø Instructions will be given as to which scales or pitches will be used for each exercise at that time. But by just tonguing very lightly, it kind of gives each note a little push without over-articulating. JUSTIN BEERE. 46. Lower Joint Exercises from Essential Elements Interactive These exercises are great for adding the lower joint, and can be played without tonguing. 11 – page 22) Robert Stark Daily Staccato Exercises The good air support is key to the energy behind the tongue and drives the motion of the light, stroking technique. Similar to the long-tone exercise, a majority of the range of the clarinet will be utilized. Begin a fairly long open G with a regular single-tongued stroke, taking care to pronounce it "Tuh" as in the first syllable of the word "Tuttle." 7 . 144, 176, 208 and 224. This is a legato exercise, intended to develop sensitivity between the tip of the tongue and the tip of the reed. Articulation: distance training PDF . If you have studied a single reed instrument from an early age, you have most likely used the syllable tah. 6 Flexability and Technique----- pg. Tone Development Stamp Exercise----- pg. Tonguing Exercises EDHS 2012 ©2012 Trumpet/Clarinet. Take up the clarinet and single-tongue a few repetitions of open G again, this time at only a medium tempo. Repetetetetetive Tonguing. The most important thing is that you make sure you buy a concert pitch Bb clarinet with the Boehm key-work system (see “A Brief History of the Clarinet” for more detail). The "t" placement is the normal position for starting a tone. Title: Tonguing Exercises - Trumpet-Clarinet Author: MikeRobinson Created Date: 1/22/2013 8:36:16 PM 8 MAJOR SCALES. Articulation Exercises.Zip archive of .pdf parts Flute/Oboe (.pdf) Clarinet (.pdf) Alto Sax/Bari Sax (.pdf) Tenor Sax (.pdf) Trumpet/Euphonium TC (.pdf) Horn in F (.pdf) Trombone/Euphonium BC (.pdf) Tuba (.pdf) Mallets (.pdf) Tonguing Exercises.Zip archive of .pdf parts Flute/Oboe (.pdf) Clarinet (.pdf) Alto Sax/Bari Sax (.pdf) Tenor Sax (.pdf) In developing this art. ning technique, necessary for high class per. The tickle exercise (developed by Kelly Burke–The University of North Carolina at Greensboro) is a I play them all tongued at 132 and two slurred and two tongued at 176. H‰\Ò͊ƒ0ð{ž"ÇöPüLlA„b[𰬻`ÍØÖ¢=øöó/]XAáG2ã3AY*ÝÏ. Begin with a full breath, tonguing one note per beat on, say, throat G (or throat E for stability, if you like) for as long as you can sustain the note. The goals of their research include a better understanding of the relationships the oral articulators (tongue, jaw, and lips), facial muscles, and air pressure play in producing sound on the clarinet, and to create exercises involving the pronunciation of particular syllables which aid in the production and articulation of notes. This is just to become reacquainted with the reed, and to relax the tongue. Here are a few of my favourite exercises and resources to learn more about clarinet articulation: Reginald Kell 17 Staccato Studies (also Clarinet Staccato from the Beginning) Gustave Langenus “Tonguing Study” from Book Three of Complete Method for the Clarinet (No. JUSTIN BEERE. tongue and the coordination of fingers and the tongue. These exercises are great for just the upper joint, and can be played without tonguing. JUSTIN BEERE. For the purpose of this article, I will go over a few of the general ways that you can warm up, as a sort of template for you to plan your own warm-up routine. Although clarinet can be quiet, It is not a quiet instrument. Be the first to write down a comment. Pressure of the Tongue on the Reed The tongue pressure on the reed should be very light. Daily Staccato-Exercises for Clarinet Op. Tonguing If you have slow, inconsistent, heavy, or unsatisfying articulation, this exercise is guaranteed to help. I use the tip of the tongue to the tip of the reed. exercise four more times. Tips for Tonguing by Howard Klug I. The second exercise is actually getting used to the feeling of the tongue resting on a vibrating reed. clarinet students need to have the proper tongue position, visualizing the oral cavity’s shape when saying “ee” or “hee.” Blowing air through a straw with the tongue in this position is a good beginning exercise for proper air stream. Long tones help warm up the i… are recommended when the slow motion Of the fingers has been mastered. Be sure that the two extremes of tempo are at least twenty beats per minute apart, such that the exercise is repeated a half dozen times at least. Á ½2T/ä%ÝÞK¸å¤Ñ㫟úTÿH¹@éþŠ%VÅí–P5@HQ…¨‚'ßwzSÂ^‹uSœŠ¾„Í»%)$ør™£ÙÅ8qþµÕ?û8TŽí÷@ׁñÉ D4H½ÔIm¾j8B ›ô‰XMRu`2 rptÇÊ2°h¢]D_Ç»1Ž5. the mouthpiece in the mouth. It also requires a delicate motion of the tip of the tongue lightly stroking just below the tip of the reed. Tonguing at the tip is acceptable though, as long as the tongue is kept relaxed and kept relatively high in the mouth. This places the tongue in a natural position that allows the back of the tongue to touch the soft palate easily when using the "k" stroke. Execution for speed: Find a tempo where you just barely get to the last note of the exercise on time, and repeat it until it feels like your tongue is going to fall off from fatigue. These exercises from Rose 40 Studies No. 9 ARTICULATION EXERCISES Articulation exercises are designed to apply each rhythm to scales or specific pitches. 18 Clarinet Trill Fingering Chart----- pg 19/20. Good old tah can get the job done, but it can often create an accent on the note or even a squeak if done too hard. This may take up to five minutes of playing. Singing helps to hear the correct pitches and greatly improves intona- ... *Play with varying patterns (slur all, slur 3 tongue 1, slur 2 tongue 2, tongue all (legato and staccato), etc.) /ø>h>øz`Ûq†Œ)H1` `â® endstream endobj 119 0 obj 446 endobj 64 0 obj << /Type /Page /MediaBox [ 0 0 612 792 ] /Parent 59 0 R /BleedBox [ 0 0 612 792 ] /TrimBox [ 0 0 612 792 ] /CropBox [ 0 0 612 792 ] /ArtBox [ 0 0 612 792 ] /Contents [ 72 0 R 74 0 R 76 0 R 78 0 R 80 0 R 88 0 R 90 0 R 116 0 R ] /Resources << /Font << /C0_0 67 0 R /C0_1 70 0 R /C0_2 87 0 R /C0_3 84 0 R >> /ExtGState << /GS0 117 0 R >> /ProcSet [ /PDF /Text ] >> /Rotate 0 >> endobj 65 0 obj [ 112 0 R ] endobj 66 0 obj << /Filter /FlateDecode /Length 113 0 R >> stream